STREET DOGS - FINAL TRANSMISSION

He had just turned nineteen yesterday
Wanted to be a school teacher someday
Came from a small and modest town
Had never before traveled abroad

He signed on the promise of a college fund
Pop and Mom begged him to stay at home
The last time they saw him was at an airport
He hugged his distraught mother a final time

He went abroad to serve when he was only nineteen
Reality caught up with him, stole a heart full of dreams

He’s never gonna get a chance to chase all those hopes
Lost them all amidst this war and smoke
Can you hear the sound of youth negated?
Watch on TV names are taken
Mother, Mother
My final transmission

Parris Island was plain hell on earth
Got gunny yelling at him, “better prove your worth”
Moved on to Baghdad about six months on
Caught an IED today, now he is gone

He went abroad to serve when he was only nineteen
Reality caught up with him, stole a heart full of dreams

He’s never gonna get a chance to chase all those hopes
Lost them all amidst this war and smoke
Can you hear the sound of youth negated?
Watch on TV names are taken
Mother, Mother
My final transmission

Dad and Mom, I am your only loving son
Hid a written final transmission under my helmet
Love you both in heart and mind
A better set of parents no boy could ever find
Weep for me and say thy prayers
Remember me through all your years
Only got to serve for six months on and
If you’re reading this I have passed and gone

So I harbor my final request
A letter in my memory please send
Off to the President and all his men
Begging him with others to bring the troops back home!

He’s never gonna get a chance to chase all those hopes
Lost them all amidst the war and smoke
Can you hear the sound of youth negated?
Watch on TV names are taken

He’s never gonna get a chance to chase all those hopes
Lost them all amidst this war and smoke
Can you hear the sound of youth negated?
Why are all those young lives taken?
Mother, Mother
My final transmission

BASIC SANITY

In contrast to the traditional medical model of disturbances, the Buddhist approach is founded on the belief that basic sanity is operative in all states of mind. Confusion, from this point of view, is two-sided: it creates a need, a demand for sanity. This hungry nature of confusion is very powerful and very important. The demand for relief or sanity that is contained in confusion is, in fact, the beginning point of Buddhism. That is what moved Buddha to sit beneath the bodhi tree twenty-five hundred years ago — to confront his confusion and find its source — after struggling vainly for seven year in various ascetic yogic disciplines.

Basically, we are faced with a similar situation now in the West. Like Siddhartha before he became the Buddha, we are confused, anxious, and hungry psychologically. Despite a physically luxurious prosperity, there is a tremendous amount of emotional anxiety. This anxiety has stimulated a lot of research into various types of psychotherapy, drug therapy, behavior modification, and group therapies. From the Buddhist viewpoint, this search is evidence of the nature of basic sanity operating within neurosis.

From OCEAN OF DHARMA: 365 Teachings on Living Life with Courage and Compassion, number 34.

  — Chögyam Trungpa (1939 - 1987), Tibetan Buddhist teacher.

I’ve said it before; if not on this blog, then elsewhere …

I love chick flicks, especially of the romantic comedy sort. Perhaps it comes from being raised by women; or perhaps I just have a keenly defined sense of the aesthetic and am not afraid to let my self experience emotion (except in terms of my own relationships, in which I’m deathly afraid to do so).

I just finished watching The Jane Austen Book Club. The Netflix blurb has this to say about the film:

Six book club members find their lives resemble a modern-day version of Jane Austen’s novels in this drama. Sylvia’s (Amy Brenneman) husband of 20-plus years has walked out; Jocelyn (Maria Bello) breeds dogs to escape loneliness; Prudie (Emily Blunt) dreams of other men; Bernadette (Kathy Baker) hopes to find Mr. Right; Allegra (Maggie Grace) has issues with her girlfriend; and Grigg (Hugh Dancy), the only man, wonders why he’s even in the club.

It’s so much more, actually … for one, it’s not truly a drama, although it has a few dramatic moments, the film is presented with much more of a light note, showing the humor that can be found in even the most difficult of situations.

It’s a complex exploration of relationships, not only romantically, but betwixt the characters of the film itself. The sole male member of the club cannot make the first move on the woman with whom he is in love, even though she (in complete denial of her own feelings towards him) pushes him towards another member. A teacher, whose own marriage is falling apart, finds herself falling for a student … will she be able to resist the temptation?

Perhaps I should pick up one or two (or all six) of Miss Austen’s novels to find out what so captivated the characters in the film, as well as the novel on which it was based.