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	<title>flahute &#187; imagination</title>
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	<description>&#34;The mountains are calling, and I must go.&#34; —John Muir</description>
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		<title>Poetry Friday</title>
		<link>http://www.flahute.com/2011/01/21/poetry-friday-208/</link>
		<comments>http://www.flahute.com/2011/01/21/poetry-friday-208/#comments</comments>
		<pubDate>Fri, 21 Jan 2011 12:26:59 +0000</pubDate>
		<dc:creator>flahute</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Word Play]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[QOTD]]></category>
		<category><![CDATA[Robert Hass]]></category>
		<category><![CDATA[samurai]]></category>
		<category><![CDATA[silence]]></category>

		<guid isPermaLink="false">http://www.flahute.com/?p=2459</guid>
		<description><![CDATA[<p>HEROIC SIMILE</p> <p>When the swordsman fell in Kurosawa&#8217;s Seven Samurai in the gray rain, in Cinemascope and the Tokugawa dynasty, he fell straight as a pine, he fell as Ajax fell in Homer in chanted dactyls and the tree was so huge the woodsman returned for two days to that lucky place before he was [...]]]></description>
			<content:encoded><![CDATA[<p><strong><u>HEROIC SIMILE</u></strong></p>
<p><em>When the swordsman fell in Kurosawa&#8217;s Seven Samurai<br />
in the gray rain,<br />
in Cinemascope and the Tokugawa dynasty,<br />
he fell straight as a pine, he fell<br />
as Ajax fell in Homer<br />
in chanted dactyls and the tree was so huge<br />
the woodsman returned for two days<br />
to that lucky place before he was done with the sawing<br />
and on the third day he brought his uncle.</p>
<p>They stacked logs in the resinous air,<br />
hacking the small limbs off,<br />
tying those bundles separately.<br />
The slabs near the root<br />
were quartered and still they were awkwardly large;<br />
the logs from midtree they halved:<br />
ten bundles and four great piles of fragrant wood,<br />
moons and quarter moons and half moons<br />
ridged by the saw&#8217;s tooth.</p>
<p>The woodsman and the old man his uncle<br />
are standing in midforest<br />
on a floor of pine silt and spring mud.<br />
They have stopped working<br />
because they are tired and because<br />
I have imagined no pack animal<br />
or primitive wagon. They are too canny<br />
to call in neighbors and come home<br />
with a few logs after three days&#8217; work.<br />
They are waiting for me to do something<br />
or for the overseer of the Great Lord<br />
to come and arrest them.</p>
<p>How patient they are!<br />
The old man smokes a pipe and spits.<br />
The young man is thinking he would be rich<br />
if he were already rich and had a mule.<br />
Ten days of hauling<br />
and on the seventh day they&#8217;ll probably<br />
be caught, go home empty-handed<br />
or worse. I don&#8217;t know<br />
whether they&#8217;re Japanese or Mycenaean<br />
and there&#8217;s nothing I can do.<br />
The path from here to that village<br />
is not translated. A hero, dying,<br />
gives off stillness to the air.<br />
A man and a woman walk from the movies<br />
to the house in the silence of separate fidelities.<br />
There are limits to imagination.</em></p>
<p>&nbsp;&nbsp;&#8212; Robert Hass (b. 1941), American Poet Laureate [1995-1997].</p>
]]></content:encoded>
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		<item>
		<title>Poetry Friday</title>
		<link>http://www.flahute.com/2010/08/27/poetry-friday-187/</link>
		<comments>http://www.flahute.com/2010/08/27/poetry-friday-187/#comments</comments>
		<pubDate>Fri, 27 Aug 2010 11:25:29 +0000</pubDate>
		<dc:creator>flahute</dc:creator>
				<category><![CDATA[Word Play]]></category>
		<category><![CDATA[evening]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[knowledge]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[obscurity]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[QOTD]]></category>
		<category><![CDATA[rendezvous]]></category>
		<category><![CDATA[Tennessee]]></category>
		<category><![CDATA[thought]]></category>
		<category><![CDATA[Wallace Stevens]]></category>
		<category><![CDATA[wilderness]]></category>

		<guid isPermaLink="false">http://www.flahute.com/?p=2328</guid>
		<description><![CDATA[<p>FINAL SOLILOQUY OF THE INTERIOR PARAMOUR</p> <p>Light the first light of evening, as in a room In which we rest and, for small reason, think The world imagined is the ultimate good.</p> <p>This is, therefore, the intensest rendezvous. It is in that thought that we collect ourselves, Out of all the indifferences, into one thing:</p> [...]]]></description>
			<content:encoded><![CDATA[<p><strong><u>FINAL SOLILOQUY OF THE INTERIOR PARAMOUR</u></strong></p>
<p><em>Light the first light of evening, as in a room<br />
In which we rest and, for small reason, think<br />
The world imagined is the ultimate good.</p>
<p>This is, therefore, the intensest rendezvous.<br />
It is in that thought that we collect ourselves,<br />
Out of all the indifferences, into one thing:</p>
<p>Within a single thing, a single shawl<br />
Wrapped tightly round us, since we are poor, a warmth,<br />
A light, a power, the miraculous influence.</p>
<p>Here, now, we forget each other and ourselves.<br />
We feel the obscurity of an order, a whole,<br />
A knowledge, that which arranged the rendezvous.</p>
<p>Within its vital boundary, the mind.<br />
We say God and the imagination are one&#8230;<br />
How high that highest candle lights the dark.</p>
<p>Out of this same light, out of the central mind,<br />
We make a dwelling in the evening air,<br />
In which being there together is enough.</em></p>
<hr />
<p><strong><em><u>ANECDOTE OF THE JAR</u></em></strong></p>
<p><strong>I placed a jar in Tennessee,<br />
And round it was, upon a hill.<br />
It made the slovenly wilderness<br />
Surround that hill.</p>
<p>The wilderness rose up to it,<br />
And sprawled around, no longer wild.<br />
The jar was round upon the ground<br />
And tall and of a port in air.</p>
<p>It took dominion everywhere.<br />
The jar was gray and bare.<br />
It did not give of bird or bush,<br />
Like nothing else in Tennessee.</strong></p>
<p>&nbsp;&nbsp;&#8212; Wallace Stevens (1879 &#8211; 1955), American Modernist poet</p>
]]></content:encoded>
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		<title>Poetry Friday</title>
		<link>http://www.flahute.com/2010/05/14/poetry-friday-172/</link>
		<comments>http://www.flahute.com/2010/05/14/poetry-friday-172/#comments</comments>
		<pubDate>Fri, 14 May 2010 11:47:25 +0000</pubDate>
		<dc:creator>flahute</dc:creator>
				<category><![CDATA[Word Play]]></category>
		<category><![CDATA[breath]]></category>
		<category><![CDATA[elements]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[Marie Ponsot]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[QOTD]]></category>
		<category><![CDATA[sea]]></category>

		<guid isPermaLink="false">http://www.flahute.com/?p=2190</guid>
		<description><![CDATA[<p>IMAGINING STARRY </p> <p>The place of language is the place between me and the world of presences I have lost —complex country, not flat. Its elements free- float, coherent for luck to come across; its lines curve as in a mental orrery implicit with stars in active orbit, only their slowness or swiftness lost to [...]]]></description>
			<content:encoded><![CDATA[<p><strong><u>IMAGINING STARRY</u></strong>	</p>
<p><strong><em>The place of language is the place between me<br />
and the world of presences I have lost<br />
—complex country, not flat. Its elements free-<br />
float, coherent for luck to come across;<br />
its lines curve as in a mental orrery<br />
implicit with stars in active orbit,<br />
only their slowness or swiftness lost to sense. </p>
<p>The will dissolves here. It becomes the infinite<br />
air of imagination that stirs immense<br />
among losses and leaves me less desolate. </p>
<p>Breathing it I spot a sentence or a name,<br />
a rescuer, charted for recovery,<br />
to speak against the daily sinking flame<br />
&#038; the shrinking waters of the mortal sea.</em></strong></p>
<p>&nbsp;&nbsp;&#8212; Marie Ponsot (b. 1921), Chancellor of the American Academy of Poets</p>
]]></content:encoded>
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		<title>Poetry Friday</title>
		<link>http://www.flahute.com/2009/10/30/poetry-friday-146/</link>
		<comments>http://www.flahute.com/2009/10/30/poetry-friday-146/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 11:20:04 +0000</pubDate>
		<dc:creator>flahute</dc:creator>
				<category><![CDATA[Word Play]]></category>
		<category><![CDATA[black]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[Devil]]></category>
		<category><![CDATA[evil]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[fear]]></category>
		<category><![CDATA[Halloween]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[Lord Brooke Fulke Greville]]></category>
		<category><![CDATA[night]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[QOTD]]></category>
		<category><![CDATA[reflection]]></category>
		<category><![CDATA[Robert Herrick]]></category>
		<category><![CDATA[tyranny]]></category>

		<guid isPermaLink="false">http://www.flahute.com/?p=1981</guid>
		<description><![CDATA[<p>SONNET 100</p> <p>In night when colors all to black are cast, Distinction lost, or gone down with the light; The eye a watch to inward senses placed, Not seeing, yet still having powers of sight,</p> <p>Gives vain alarums to the inward sense, Where fear stirred up with witty tyranny, Confounds all powers, and thorough self-offense, [...]]]></description>
			<content:encoded><![CDATA[<p><strong><u>SONNET 100</u></strong></p>
<p><strong><em>In night when colors all to black are cast,<br />
Distinction lost, or gone down with the light;<br />
The eye a watch to inward senses placed,<br />
Not seeing, yet still having powers of sight,</p>
<p>Gives vain alarums to the inward sense,<br />
Where fear stirred up with witty tyranny,<br />
Confounds all powers, and thorough self-offense,<br />
Doth forge and raise impossibility:</p>
<p>Such as in thick depriving darknesses,<br />
Proper reflections of the error be,<br />
And images of self-confusednesses,<br />
Which hurt imaginations only see;</p>
<p>And from this nothing seen, tells news of devils,<br />
Which but expressions be of inward evils.</em></strong></p>
<p>&nbsp;&nbsp;&#8212; by Lord Brooke Fulke Greville</p>
<p><strong><em><u>THE HAG</u></em></strong>	  </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp; The Hag is astride,<br />
&nbsp;&nbsp;&nbsp;&nbsp; This night for to ride;<br />
The Devill and shee together:<br />
&nbsp;&nbsp;&nbsp;&nbsp; Through thick, and through thin,<br />
&nbsp;&nbsp;&nbsp;&nbsp; Now out, and then in,<br />
Though ne&#8217;r so foule be the weather.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp; A Thorn or a Burr<br />
&nbsp;&nbsp;&nbsp;&nbsp; She takes for a Spurre:<br />
With a lash of a Bramble she rides now,<br />
&nbsp;&nbsp;&nbsp;&nbsp; Through Brakes and through Bryars,<br />
&nbsp;&nbsp;&nbsp;&nbsp; O&#8217;re Ditches, and Mires,<br />
She followes the Spirit that guides now.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp; No Beast, for his food,<br />
&nbsp;&nbsp;&nbsp;&nbsp; Dares now range the wood;<br />
But husht in his laire he lies lurking:<br />
&nbsp;&nbsp;&nbsp;&nbsp; While mischiefs, by these,<br />
&nbsp;&nbsp;&nbsp;&nbsp; On Land and on Seas,<br />
At noone of Night are working,</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp; The storme will arise,<br />
&nbsp;&nbsp;&nbsp;&nbsp; And trouble the skies;<br />
This night, and more for the wonder,<br />
&nbsp;&nbsp;&nbsp;&nbsp; The ghost from the Tomb<br />
&nbsp;&nbsp;&nbsp;&nbsp; Affrighted shall come,<br />
Cal&#8217;d out by the clap of the Thunder.</p>
<p>&nbsp;&nbsp;&#8212; Robert Herrick (1591 – 1674), English Poet.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Poetry Friday</title>
		<link>http://www.flahute.com/2007/11/30/poetry-friday-50/</link>
		<comments>http://www.flahute.com/2007/11/30/poetry-friday-50/#comments</comments>
		<pubDate>Fri, 30 Nov 2007 05:12:24 +0000</pubDate>
		<dc:creator>flahute</dc:creator>
				<category><![CDATA[Word Play]]></category>
		<category><![CDATA[flood]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[Leonard Cohen]]></category>
		<category><![CDATA[Mercy]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[proof]]></category>
		<category><![CDATA[QOTD]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[soul]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[triad]]></category>
		<category><![CDATA[woman]]></category>

		<guid isPermaLink="false">http://208.56.131.201/wp/?p=533</guid>
		<description><![CDATA[<p></p> MERCY RETURNS ME</p> <p>A woman I want &#8212; An honour I covet &#8212; A place where I want my mind to dwell &#8212; Then Mercy returns me To the triad And the crisis of the song. SWEET TIME</p> <p>How sweet time feels when it&#8217;s too late</p> <p>and you don&#8217;t have to follow her swinging [...]]]></description>
			<content:encoded><![CDATA[<p></p>
<table width="100%">
<tr>
<td width="60%" align="left" valign="top"><strong><u>MERCY RETURNS ME</u></strong></p>
<p><strong><em>A woman I want &#8212;<br />
An honour I covet &#8212;<br />
A place where I want my mind to dwell &#8212;<br />
Then Mercy returns me<br />
To the triad<br />
And the crisis of the song.</em></strong>
</td>
<td width="40%" align="right" valign="top">
<strong><em>SWEET TIME</em></strong></p>
<p>How sweet time feels<br />
when it&#8217;s too late</p>
<p>and you don&#8217;t have to follow<br />
her swinging hips</p>
<p>all the way into<br />
your dying imagination</p>
</td>
</tr>
<tr>
<td colspan="2" align="center">
<u>THE FLOOD</u></p>
<p><em>The flood it is gathering<br />
Soon it will move<br />
Across every valley<br />
Against every roof<br />
The body will drown<br />
And the soul will break loose<br />
I write all this down<br />
But I don&#8217;t have the proof</em></p>
<p>Sinai, 1973</p>
</td>
</tr>
</table>
<p>&nbsp;&nbsp;&#8212; Leonard Cohen (b. 1934), Canadian poet, novelist and singer-songwriter.</p>
]]></content:encoded>
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		<item>
		<title>Quote of the Day</title>
		<link>http://www.flahute.com/2007/03/01/quote-of-the-day-36/</link>
		<comments>http://www.flahute.com/2007/03/01/quote-of-the-day-36/#comments</comments>
		<pubDate>Thu, 01 Mar 2007 05:19:38 +0000</pubDate>
		<dc:creator>flahute</dc:creator>
				<category><![CDATA[Word Play]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[Leonard Cohen]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[QOTD]]></category>
		<category><![CDATA[time]]></category>

		<guid isPermaLink="false">http://208.56.131.201/wp/?p=247</guid>
		<description><![CDATA[<p>Yeah, yeah, yeah &#8230; quotes of the day, two days in a row. Deal with it.</p> <p>SWEET TIME</p> <p>How sweet time feels when it&#8217;s too late</p> <p>and you don&#8217;t have to follow her swinging hips</p> <p>all the way into your dying imagination.</p> <p>&#160;&#160;&#8212; Leonard Cohen (b. 1934), Canadian poet, novelist and singer-songwriter.</p> ]]></description>
			<content:encoded><![CDATA[<p>Yeah, yeah, yeah &#8230; quotes of the day, two days in a row.  Deal with it.</p>
<blockquote><p><strong><u>SWEET TIME</u></strong></p>
<p><strong><em>How sweet time feels<br />
when it&#8217;s too late</p>
<p>and you don&#8217;t have to follow<br />
her swinging hips</p>
<p>all the way into<br />
your dying imagination.</em></strong></p></blockquote>
<p>&nbsp;&nbsp;&#8212; Leonard Cohen (b. 1934), Canadian poet, novelist and singer-songwriter.</p>
]]></content:encoded>
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