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Poetry Friday

Categories:  Word Play
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TO PURITY

I have heard so much about you

if you claim to be you
I will know it’s not true

if you say nothing I will listen
as I do
with my own
old mixed feelings
of hope and reservation

hearing through them
whatever might be you

the way I see
the white light from
the beginning
through the colors of the garden
through a face an eye

  — W.S. Merwin (b. 1927), American poet and translator.


DEBT

That ‘part
Of consciousness
That works’:

A virtue, then, a skill
Of benches and the shock

Of the press where an instant on the steel bed
The manufactured part——

New!
And imperfect. Not as perfect
As the die they made
Which was imperfect. Checked

To tolerance

Among the pin ups, notices, conversion charts,
And skills, so little said of it

  — George Oppen (1908 – 1984), Pulitzer Prize winning American poet.

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Poetry Friday

Categories:  Word Play
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SPONTANEOUS ME

Spontaneous me, Nature,
The loving day, the mounting sun, the friend I am happy with,
The arm of my friend hanging idly over my shoulder,
The hill-side whiten’d with blossoms of the mountain ash,
The same, late in autumn—the hues of red, yellow, drab, purple, and light and dark green,
The rich coverlid of the grass—animals and birds—the private untrimm’d bank—
      the primitive apples—the pebble-stones,
Beautiful dripping fragments—the negligent list of one after another, as I happen to call
      them to me, or think of them,
The real poems, (what we call poems being merely pictures,)
The poems of the privacy of the night, and of men like me,
This poem, drooping shy and unseen, that I always carry, and that all men carry,
(Know, once for all, avow’d on purpose, wherever are men like me, are our lusty, lurking,
      masculine poems;)
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers, and the climbing sap,
Arms and hands of love—lips of love—phallic thumb of love—breasts of
      love—bellies press’d and glued together with love,
Earth of chaste love—life that is only life after love,
The body of my love—the body of the woman I love—the body of the man—the body of
      the earth,
Soft forenoon airs that blow from the south-west,
The hairy wild-bee that murmurs and hankers up and down—that gripes the full-grown
      lady-flower, curves upon her with amorous firm legs, takes his will of her, and holds himself
      tremulous and tight till he is satisfied,
The wet of woods through the early hours,
Two sleepers at night lying close together as they sleep, one with an arm slanting down across
      and below the waist of the other,
The smell of apples, aromas from crush’d sage-plant, mint, birch-bark,
The boy’s longings, the glow and pressure as he confides to me what he was dreaming,
The dead leaf whirling its spiral whirl, and falling still and content to the ground,
The no-form’d stings that sights, people, objects, sting me with,
The hubb’d sting of myself, stinging me as much as it ever can any one,
The sensitive, orbic, underlapp’d brothers, that only privileged feelers may be intimate where they are,
The curious roamer, the hand, roaming all over the body—the bashful withdrawing of flesh
      where the fingers soothingly pause and edge themselves,
The limpid liquid within the young man,
The vexed corrosion, so pensive and so painful,
The torment—the irritable tide that will not be at rest,
The like of the same I feel—the like of the same in others,
The young man that flushes and flushes, and the young woman that flushes and flushes,
The young man that wakes, deep at night, the hot hand seeking to repress what would master
      him; The mystic amorous night—the strange half-welcome pangs, visions, sweats,
The pulse pounding through palms and trembling encircling fingers—the young man all color’d,
      red, ashamed, angry;
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun, the mother never turning
      her vigilant eyes from them,
The walnut-trunk, the walnut-husks, and the ripening or ripen’d long-round walnuts;
The continence of vegetables, birds, animals,
The consequent meanness of me should I skulk or find myself indecent, while birds and animals
      never once skulk or find themselves indecent;
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn—my Adamic and fresh daughters,
The greed that eats me day and night with hungry gnaw, till I saturate what shall produce boys to
      fill my place when I am through,
The wholesome relief, repose, content;
And this bunch, pluck’d at random from myself;
It has done its work—I tossed it carelessly to fall where it may.

  — Walt Whitman (1819 – 1892), American poet, essayist, journalist and humanist.

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Poetry Friday

Categories:  Word Play
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REMEMBER, BODY …  

Body, remember not only how much you were loved,
not only the beds where you lay,
but also those desires for you,
shining clearly in eyes
and trembling in a voice—and some chance
obstacle thwarted them.
Now when everything is the past,
it almost looks as if you gave yourself
to those desires as well—how they shone—
remember—in the eyes that looked at you,
how they trembled for you in the voice—remember, body.

  — C.P. Cavafy (1863 – 1933), Greek poet and journalist. Translated by Aliki Barnstone

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Video Poetry (Looks Edition Redux)

Categories:  Music
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EELS – THE LOOK YOU GAVE THAT GUY

I never thought that I could be so bold, 

To even say these thoughts aloud.
I see you with your man, your eyes just shine,
While he stands tall and walking proud.


That look you give that guy, I wanna see …
Looking right at me.
If I could be that guy, instead of me …
I’d never let you down.

It always seems like you’re going somewhere,
Better than you’ve been before.
When I go to sleep, and I dream all night,
Of you knocking on my door.

That look you give that guy, I wanna see …
Looking right at me.
If I could be that guy, instead of me …
I’d be all I can be.
I’d be all I can be.

I’m nothing like what I’d like to be,
I’m nothing much, I know it’s true.
I lack the style and the pedigree,
And my chances are so few


That look you give that guy, I wanna see …
Looking right at me.
If I could be that guy, instead of me …
I’d give you all I got.

I never thought that I could be so bold,
To even say these thoughts aloud.
But if let’s say, it won’t work out,
You know where I can be found.

That look you give that guy, I wanna see…
Looking right at me.
If I could be that guy, instead of me…
I’d never let you down.
I’d never let you down.

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Video Poetry (Looks Edition)

Categories:  Music
Tags: , , , , , , , , ,

EELS – THE LOOK YOU GAVE THAT GUY

I never thought that I could be so bold, 

To even say these thoughts aloud.
I see you with your man, your eyes just shine,
While he stands tall and walking proud.


That look you give that guy, I wanna see …
Looking right at me.
If I could be that guy, instead of me …
I’d never let you down.

It always seems like you’re going somewhere,
Better than you’ve been before.
When I go to sleep, and I dream all night,
Of you knocking on my door.

That look you give that guy, I wanna see …
Looking right at me.
If I could be that guy, instead of me …
I’d be all I can be.
I’d be all I can be.

I’m nothing like what I’d like to be,
I’m nothing much, I know it’s true.
I lack the style and the pedigree,
And my chances are so few


That look you give that guy, I wanna see …
Looking right at me.
If I could be that guy, instead of me …
I’d give you all I got.

I never thought that I could be so bold,
To even say these thoughts aloud.
But if let’s say, it won’t work out,
You know where I can be found.

That look you give that guy, I wanna see…
Looking right at me.
If I could be that guy, instead of me…
I’d never let you down.
I’d never let you down.

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Poetry Friday

Categories:  Word Play
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BLUE OR GREEN

We don’t belong to each other.
            We belong together.
                                                                    Some poems
belong together to prove the intentionality of subatomic particles.
                                    
Some poems eat with scissors.
                                                     Some poems are like kissing a
porcupine.
                   God, by the way, is disappointed in some of your recent
choices.
               Some poems swoop.
                                                   When she said my eyes were
definitely blue, I said, How can you see that in the dark?
              How can
you not?
she said, and that was like some poems.
                                                                                  Some poems are
blinded three times.
                                   Some poems go like death before dishonor.
                                                                      
Some poems go like the time she brought cherries to the movies;
later a heedless picnic in her bed.
                 Never revered I crumbs so
highly.
            Some poems have perfect posture, as if hanging by
filaments from the sky.
                                        Those poems walk like dancers,
noiselessly.
                      All poems are love poems.  
                                                                   Some poems are better off
dead.
           Right now I want something I don’t believe in.

  — James Galvin (b. 1951)

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Poetry Friday

Categories:  Word Play
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SHADWELL STAIR

I am the ghost of Shadwell Stair.
       Along the wharves by the water-house,
       And through the cavernous slaughter-house,
I am the shadow that walks there.

Yet I have flesh both firm and cool,
       And eyes tumultuous as the gems
       Of moons and lamps in the full Thames
When dusk sails wavering down the pool.

Shuddering the purple street-arc burns
       Where I watch always; from the banks
       Dolorously the shipping clanks
And after me a strange tide turns.

I walk till the stars of London wane
       And dawn creeps up the Shadwell Stair.
       But when the crowing syrens blare
I with another ghost am lain.

— Wilfred Owen (1893 – 1918), English soldier and poet

 

BATS

Bats

unveil themselves in dark.
They hang, each a jagged,

silken sleeve, from moonlit rafters bright
as polished knives. They swim

the muddled air and keen
like supersonic babies, the sound

we imagine empty wombs might make
in women who can’t fill them up.

A clasp, a scratch, a sigh.
They drink fruit dry.

And wheel, against feverish light flung hard
upon their faces,

in circles that nauseate.
Imagine one at breast or neck,

Patterning a name in driblets of iodine
that spatter your skin stars.

They flutter, shake like mystics.
They materialize. Revelatory

as a stranger’s underthings found tossed
upon the marital bed, you tremble

even at the thought. Asleep,
you tear your fingers

and search the sheets all night.

Paisley Rekdal (b. 1970), American poet; Associate Professor of English, University of Utah. Copyright © 2007. Reprinted without permission of the University of Pittsburgh Press.


 

Happy Halloween, everyone.

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