“The mountains are calling, and I must go.” —John Muir

flahute

Posts Tagged With: escape

Poetry Friday (and it’s a doozy)

» by flahute in: Word Play on May 23rd, 2008 at 01:44:05 UTC |

HEY ALLEN GINSBERG WHERE HAVE YOU GONE AND WHAT WOULD YOU THINK OF MY DRUGS?

A mouse went to see his mother. When his car broke down he bought a bike. When the bike wore out he bought skates. When the skates wore down he ran. He ran until his sneakers wore through. Then he walked. He walked and walked, almost walked his feet through so he bought new ones. His mother was happy to see him and said, “what nice new feet you have on.”

—paraphrase of a story in Mouse Tails by Arnold Lobel

hey, listen, a bad thing happened to
my friend’s marriage, can’t tell you
only can tell my own story which
so far isn’t so bad:

“Dad” and I stay married. so far.
so good. so so.

But it felt undoable. This lucky life
every day, every day. every. day.

(all the poetry books the goddamn same
until one guys gets up and stuns the audience)

Then, Joe Wenderoth, not by a long shot
sober says, I promised my wife I wouldn’t fuck
anyone, to no one in particular and reads a poem
about how Jesus has no penis.

Meanwhile, the psychiatrist, attractive in a fatherly
way, says libido question mark.

And your libido?
like a father, but not like mine, or my sons’—

“fix it.”

My friend’s almost written
a good novel by which I mean finished
which means I’d like to light myself
on fire, on fire
with envy, this isn’t “desire”
not what the Dr. meant
by libido?
                         I hope—

not, it’s just chemical:
             jealousy. boredom. lethargy.

Books with prominent seraphs: their feet feet feet I am
marching to the same be—

other

than the neuronic slave I thought anxiety made me
do it, made me get up and carry forth, sally
the children to school the poems dragged
by little hands on their little seraphs
to the page my marriage sustained, remaining
energy: project #1, project #2, broken
fixtures, summer plans, demand met, request
granted, bunny noodles with and without cheesy
at the same time, and the night time I insomnia
these hours penning invisible letters—

             till it stopped.

doc said: it’s a syndrome.       you’ve got it,
                                     classic.

it’s chemical,
mental

circuitry we’ve got a fix for this
classic, I’m saying I can

make it better.

Everything was the same, then,
but better.

At night I slept.
In the morning got up.

Kids to school, husband still a fool—
hardy spirit makes
me pick a monday morning fight, snipe! I’ll pay for that
later I’m still a pain in the
elbow from writing prose those shift+hold+letter,
I’m still me less sleepy, crazy, I suppose
less crazy-jealous just
ha-ha now at Jesus’ no penis his
amazed at the other poet’s kickass
friend’s novel I dream instead about
the government makes me put stickers
on my driver’s license of family members
who are Jews, and mine all are. Can they get us
all? I escape with a beautiful light-haired man,
blue-eyed day trader, gentile.

gentle, gentle, mind encased in its
blood-brain barrier from the harsh skull
sleep, sleep and sleepy wake and want
to sleep and sleep a steep dosage—

             “—chemical?”

in my dreams now every man’s mine, no-
problem, perhaps my mind’s a little plastic,
malleable, not so fatal now

the dose is engineered like that new genetic watercress
to turn from green to red when planted over buried
mines, nitrogen dioxide makes for early autumn
red marks the spot where I must
watch my step, up one half-step-dose specific—

             The psychiatrist’s lived in NY so long
             he’s of ambiguous religious—
             everyone’s Jewish sometimes—
             writes: “up the dosage.”

now,
when I’m late I just shrug
it’s my new improved style
missed the train? I tug
the two boys single file

the platform a safe aisle
between disasters, blithely
I step, step, step-lively
carefully, wisely.

I sing silly ditties
play I spy something pretty
grey-brown-metal-filthy
for a little city fun.

Just one way to enjoy life’s
trials, mile after mile, lucky
to have such dependable feet.

you see,
the rodents don’t frighten I’m
calm as can be expected to recover left to my
one devivces I was twice as fast getting everywhere but
where did that get me but there, that inevitable location
more waiting, the rats there scurry, scurry, a furry

till the next train comes

“up the dosage.”

Brown a first-cut brisket in hot Dutch oven
after dusting with paprika. Remove. Sauté
thickly sliced onions and add wine. (Sweet
is better, lasts forever, never need a new bottle).
Put the meat on onions, cover with tomato-sauce-
onion-soup-mix mixture, cover. Back in a low
oven many hours.

The house smells like meat.
My hair smells like meat.

I’m a light unto the nation.

I’m trying
to get out of Egypt.
This year,
I’ll be better.

Joseph makes sense of the big man’s dreams, is saved,
saves his brothers those jealous boys who sold him
sold them all as slaves. Seven years of plenty. Seven
years of famine. He insomnias the nights counting up
grains, storing, planning, for what? They say throw
the small boys in the river (and mothers do so). Smite
the sons (and fathers do it.) God says take off your shoes,
this holy ground this pitiful, incombustible bush.

Is God chemical?
Enzymatic of our great need to chaos?

We’re unforgivable.
People of the salted
cheeks. Slap, turn, slap.

To be chosen
is to be
unforgiving/ unforgiv-
en, always chosen:
be better.

The Zuckers are a long line of obsessives.

This served them well in war time saw it
coming in time that unseeable thing they
hoarded they ferried, schemed, paced, got the hell
out figured out at night, insomnia, how to visa—

now, if it happens again, I won’t be
ready

I’m “better.”

The husband, a country club Jew from Denver, American
intelligentsia will have to carry me out and he’s no big
man and I’m not a small girl how fast

can the doctor switch the refugee gene back on?

How fast can I get worse? Smart again and worse?

Better to be alive than better.

             “…listen:” says the doctor, “sleeping isn’t death.
             All children unlearn this fear you got confused
             thought thinking was the same as spinning—”            
             Writes: “up the dosage.”
             don’t think. this refugee thing part
             of a syndrome fear of medication of being better…

Truth is, the anti-obsessional medicine works
wonders and drags me through life’s course…

About this time of year but years ago the priests spread
rumors of blood libel. Jews huddled in basements accused
of using Christian babes’ blood to make unleavened bread.

signs and wonders.
Christ rises.

Blood and body and babes.
Basements and briskets
and bread of afflictions.

I am calm now with my pounds of meat
made and frozen, my party schedule, my pills
of liberation, my gentile dream-boy, American
passport, my grey haired-psychiatrist, my blue-
eyed son, my brown-eyed son, my poems on their
pretty little fleet-feet, my big shot friends, olive-skinned
husband, my right elbow on fire: fire inside deep in the nerve
from too much carrying and word-mongering, smithery, bearing
and tensing choosing to be better to live this real life this better orbit this Jack

Kerouac never loved you like you wanted.
Blake.
Buddha.
Only Jesus and that’s his shtick,
he loves

everyone: smile! that’s it,
for the camera, blood pressure
normal, better, you’re a poster child
for signs and wonders what a little chemistry
does for the brain, blood, thought, hey,

did you know that Pharaoh actually wanted
to let them go? those multitude Jews
but God hardened Pharaoh’s heart against them [Jews]
to prove his prowess show his signs, wonders, outstretched
hand, until the dosage was a perfect ten and then
some, sea closing up around those little chariots
the men and horses while women on the far shore shook
their tambourines. And then what? Forty years to get the smell
of slavery off them.

Because of this. Bloody Nile. My story one of
the lucky. Escape hatch even from my own
obsess—

             I am here because of this.
Because of what my ancestors did for me to tell this
story of the outstretched hand what it did for me this
marked door and behind this red-marked door, around
a corner a blue-eyed boy waits to love me up with his
leavened bread, his slim body, professional detachment,
medical advancements, forgive me my father’s mother’s
father was the last in a long line of Rabbis—again! with this? This
rhapsody of affliction and escape, the mind bobbing along
in its watery safe. Be like everyone. Else. Indistinguishable but
better than the other nations but that’s what got us into this, Allen,
no one writes these long-ass poems anymore. Now we’re
better, all better. All Christian. Kind.

  — Rachel Zucker (b. 1971), American Poet, from Columbia Poetry Review #18, 2005.

Sphere: Related Content

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,


Ah, chick flicks …

» by flahute in: Movies on March 5th, 2008 at 00:38:22 UTC |

I’ve said it before; if not on this blog, then elsewhere …

I love chick flicks, especially of the romantic comedy sort. Perhaps it comes from being raised by women; or perhaps I just have a keenly defined sense of the aesthetic and am not afraid to let my self experience emotion (except in terms of my own relationships, in which I’m deathly afraid to do so).

I just finished watching The Jane Austen Book Club. The Netflix blurb has this to say about the film:

Six book club members find their lives resemble a modern-day version of Jane Austen’s novels in this drama. Sylvia’s (Amy Brenneman) husband of 20-plus years has walked out; Jocelyn (Maria Bello) breeds dogs to escape loneliness; Prudie (Emily Blunt) dreams of other men; Bernadette (Kathy Baker) hopes to find Mr. Right; Allegra (Maggie Grace) has issues with her girlfriend; and Grigg (Hugh Dancy), the only man, wonders why he’s even in the club.

It’s so much more, actually … for one, it’s not truly a drama, although it has a few dramatic moments, the film is presented with much more of a light note, showing the humor that can be found in even the most difficult of situations.

It’s a complex exploration of relationships, not only romantically, but betwixt the characters of the film itself. The sole male member of the club cannot make the first move on the woman with whom he is in love, even though she (in complete denial of her own feelings towards him) pushes him towards another member. A teacher, whose own marriage is falling apart, finds herself falling for a student … will she be able to resist the temptation?

Perhaps I should pick up one or two (or all six) of Miss Austen’s novels to find out what so captivated the characters in the film, as well as the novel on which it was based.

Sphere: Related Content

Tags: , , , , , , , , , , , , , , , , , , ,

Video Poetry (part emo)

» by flahute in: Music, Word Play on October 17th, 2007 at 01:12:15 UTC |

SR-71 - RIGHT NOW

She clings to me like cellophane,
Fake plastic submarine,
Slowly driving me insane,
But now that’s over.

So what if the sex was great
Just a temporary escape
Another thing I grew to hate
But now that’s over

Why? Why do you always kick me when I’m high?
Knock me down ’til we see eye to eye?
Figured her out,
I know she may not be Miss Right,
She’ll do right now!
She’ll do right now!

I used to hang on every word,
Each lie was more absurd,
Kept me so insecure,
But now that’s over.

She taught me how to trust,
And to believe in us,
And then she taught me how to cuss,
That bitch!
It’s over!

You know I used to be such a nice boy

Why? Why do you always kick me when I’m high?
Knock me down ’til we see eye to eye?
Figured her out,
I know she may not be Miss Right,
She’ll do right now!

She clings to me like cellophane,
Fake plastic submarine,
She’s driving me insane,
But now that’s over!
Now that’s over!

Why? Why do you always kick me when I’m high?
Knock me down ’til we see eye to eye?
Figured her out,
I know she may not be Miss Right,
She’ll do right now!
She’ll do right now!
Right now!
Right now!

Sphere: Related Content

Tags: , , , , , , ,

Video Poetry (part sex)

» by flahute in: Music, Word Play on September 20th, 2007 at 12:33:40 UTC |

TANYA DONELLY - PRETTY DEEP

Do I look like a liar
Do I look like a liar to you
Fighting crime in this time brings a girl down
Makes a body sink so low
And I sink pretty deep, pretty deep, pretty deep
I sink pretty deep, pretty deep, pretty deep
I wish I carried a camera
I’d have proof that you’re never where you say
I wish I could fly up in a helicopter
I’d shine a blinding light on your escape
Better to show you
That I’ll sink pretty deep, pretty deep, pretty deep
I’ll sink pretty deep, pretty deep, pretty deep

Do I look like a crier
Do I look like a cry baby to you
Fighting fire in this town wears a man out
Makes a body break so slow
Remember when we all went out to fire island
You thought you saw a body on the beach
When we got closer it was just a tire
And you were disappointed I could see
So I pretended
And now I’m in pretty deep, pretty deep, pretty deep
I’m in pretty deep, pretty deep, pretty deep
Everything I ever learned is wrong so long so what
Pretty deep, pretty deep, pretty deep

Sphere: Related Content

Tags: , , , , , , ,
Add to Technorati Favorites

PageRank
Powered by FeedBurner

View blog authority