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Poetry Friday

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REMEMBER, BODY …  

Body, remember not only how much you were loved,
not only the beds where you lay,
but also those desires for you,
shining clearly in eyes
and trembling in a voice—and some chance
obstacle thwarted them.
Now when everything is the past,
it almost looks as if you gave yourself
to those desires as well—how they shone—
remember—in the eyes that looked at you,
how they trembled for you in the voice—remember, body.

  — C.P. Cavafy (1863 – 1933), Greek poet and journalist. Translated by Aliki Barnstone

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Another trip around the sun …

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CROSSROADS  

The second half of my life will be black
to the white rind of the old and fading moon.
The second half of my life will be water
over the cracked floor of these desert years.
I will land on my feet this time,
knowing at least two languages and who
my friends are. I will dress for the
occasion, and my hair shall be
whatever color I please.
Everyone will go on celebrating the old
birthday, counting the years as usual,
but I will count myself new from this
inception, this imprint of my own desire.

The second half of my life will be swift,
past leaning fenceposts, a gravel shoulder,
asphalt tickets, the beckon of open road.
The second half of my life will be wide-eyed,
fingers shifting through fine sands,
arms loose at my sides, wandering feet.
There will be new dreams every night,
and the drapes will never be closed.
I will toss my string of keys into a deep
well and old letters into the grate.

The second half of my life will be ice
breaking up on the river, rain
soaking the fields, a hand
held out, a fire,
and smoke going
upward, always up.

  — Joyce Sutphen (b. 1949)

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Poetry Friday

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PASSOVER

“Art is what remains when the pot is broken.”
                —Chinese proverb

I know we are bound to the earth,
and the cracked heart, old terra cotta,
surrenders to vine.

Listen—I’ve seen
wind stir the hair of the dead at Belsen,
growing like art from the lacing grass;

what is terrible, even, rises.
The ruined pot dreams of ignition,
each molecule coddles its flame.

Enough alphabet for a torah
sits on the tongue. And all shards
from the winds’ end gather again.

I know we are bound to the earth
by desire’s green thread
or the milk snake’s slippery pass.

Hepatica splits now from its leaf-wing.
Out of the vessel’s wreck,
inwardness forms on the air

and that ghost tenderly enters
the soul of some mortal thing.

  — Mary Rose O’Reilley

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Poetry Friday

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HE ASKED ABOUT THE QUALITY

He came out of the office where he was employed
in an unimportant and poorly paid position
up to eight pounds a month, with tips;
when he finished his tedious work
that kept him stooped all afternoon,
he came out at seven, and sauntered slowly,
gazing idly in the street. Beautiful
and interesting, he carried himself
as if hed reached his full sensual potential.
He turned twenty-nine a month ago.

He gazed idly in the street, and clown the poor alleys
that led to his rooms.

Passing by a small shop
where they sold cheap
and inferior goods for laborers,
he saw a face inside, he saw a shape
that moved him to enter, and he acted as if
he wanted to see colored handkerchiefs.

He asked about the quality of the handkerchiefs
and what they cost
in a choked voice
almost erased by desire.
And the answers came the same way,
absently, in a lowered voice,
with an implied consent.

They kept talking about the merchandise—but
their sole aim: to touch hands
on top of the handkerchiefs, to draw
their faces together, their lips, as if by accident;
a fleeting touch of their limbs.

Quickly and furtively so the shopkeeper
sitting in the back would not notice.

  — C.P. Cavafy (1863 – 1933), Greek Poet.

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Poetry Friday

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MONUMENT

To exist; to be among things.
The art of nerve ends, masseur art
Of the blind skin

Or the five
Senses gone
To the one sense, to well being

Lacks significance.
Or lacks life. The thing
By which the mind
Sees!——if it wake——

The wooden sills, the grimed past
Above the store fronts and the signs, the black

Telephone pole of the past sunned warm
As the tree’s bulk, or the squirrel’s

Eyes, whose substance, solid ounce, whose life
Bursts furious thru the leaves

      And down town,
The absurd stone trimming of the building tops
Rectangular in dawn, the shopper’s
Thin morning monument.


THE THEOLOGICAL QUESTION

Thus desire
Becomes knowledge

Whether one loves
The world or loves
Shelter
From it

Is decisive, amnesiac children,
The dance of the death

  — George Oppen (1908 – 1984), American poet

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Quote of the Day

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THE BRIDGE OF COMPASSION

Compassion becomes a bridge to the world outside. Trust and compassion for oneself bring inspiration to dance with life, to communicate with the energies of the world. Lacking this kind of inspiration and openness, the spiritual path becomes the samsaric path of desire. One remains trapped in the desire to improve oneself, the desire to achieve imagined goals … Compassion automatically invites you to relate with people, because you no longer regard people as a drain on your energy. They recharge your energy, because in the process of relating with them, you acknowledge your wealth, your richness. So if you have difficult tasks to perform, such as dealing with people or life situations, you do not feel you are running out of resources. Each time you are faced with a difficult task, it presents itself as a delightful opportunity to demonstrate your richness, your wealth. There is no feeling of poverty at all in this approach to life.

From “The Open Way,” in CUTTING THROUGH SPIRITUAL MATERIALISM, pages 98 to 99.

  — Chögyam Trungpa (1939 – 1987), Tibetan Buddhist teacher.

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Poetry Friday (and it’s a doozy)

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HEY ALLEN GINSBERG WHERE HAVE YOU GONE AND WHAT WOULD YOU THINK OF MY DRUGS?

A mouse went to see his mother. When his car broke down he bought a bike. When the bike wore out he bought skates. When the skates wore down he ran. He ran until his sneakers wore through. Then he walked. He walked and walked, almost walked his feet through so he bought new ones. His mother was happy to see him and said, “what nice new feet you have on.”

—paraphrase of a story in Mouse Tails by Arnold Lobel

hey, listen, a bad thing happened to
my friend’s marriage, can’t tell you
only can tell my own story which
so far isn’t so bad:

“Dad” and I stay married. so far.
so good. so so.

But it felt undoable. This lucky life
every day, every day. every. day.

(all the poetry books the goddamn same
until one guys gets up and stuns the audience)

Then, Joe Wenderoth, not by a long shot
sober says, I promised my wife I wouldn’t fuck
anyone, to no one in particular and reads a poem
about how Jesus has no penis.

Meanwhile, the psychiatrist, attractive in a fatherly
way, says libido question mark.

And your libido?
like a father, but not like mine, or my sons’—

“fix it.”

My friend’s almost written
a good novel by which I mean finished
which means I’d like to light myself
on fire, on fire
with envy, this isn’t “desire”
not what the Dr. meant
by libido?
                         I hope—

not, it’s just chemical:
             jealousy. boredom. lethargy.

Books with prominent seraphs: their feet feet feet I am
marching to the same be—

other

than the neuronic slave I thought anxiety made me
do it, made me get up and carry forth, sally
the children to school the poems dragged
by little hands on their little seraphs
to the page my marriage sustained, remaining
energy: project #1, project #2, broken
fixtures, summer plans, demand met, request
granted, bunny noodles with and without cheesy
at the same time, and the night time I insomnia
these hours penning invisible letters—

             till it stopped.

doc said: it’s a syndrome.       you’ve got it,
                                     classic.

it’s chemical,
mental

circuitry we’ve got a fix for this
classic, I’m saying I can

make it better.

Everything was the same, then,
but better.

At night I slept.
In the morning got up.

Kids to school, husband still a fool—
hardy spirit makes
me pick a monday morning fight, snipe! I’ll pay for that
later I’m still a pain in the
elbow from writing prose those shift+hold+letter,
I’m still me less sleepy, crazy, I suppose
less crazy-jealous just
ha-ha now at Jesus’ no penis his
amazed at the other poet’s kickass
friend’s novel I dream instead about
the government makes me put stickers
on my driver’s license of family members
who are Jews, and mine all are. Can they get us
all? I escape with a beautiful light-haired man,
blue-eyed day trader, gentile.

gentle, gentle, mind encased in its
blood-brain barrier from the harsh skull
sleep, sleep and sleepy wake and want
to sleep and sleep a steep dosage—

             “—chemical?”

in my dreams now every man’s mine, no-
problem, perhaps my mind’s a little plastic,
malleable, not so fatal now

the dose is engineered like that new genetic watercress
to turn from green to red when planted over buried
mines, nitrogen dioxide makes for early autumn
red marks the spot where I must
watch my step, up one half-step-dose specific—

             The psychiatrist’s lived in NY so long
             he’s of ambiguous religious—
             everyone’s Jewish sometimes—
             writes: “up the dosage.”

now,
when I’m late I just shrug
it’s my new improved style
missed the train? I tug
the two boys single file

the platform a safe aisle
between disasters, blithely
I step, step, step-lively
carefully, wisely.

I sing silly ditties
play I spy something pretty
grey-brown-metal-filthy
for a little city fun.

Just one way to enjoy life’s
trials, mile after mile, lucky
to have such dependable feet.

you see,
the rodents don’t frighten I’m
calm as can be expected to recover left to my
one devivces I was twice as fast getting everywhere but
where did that get me but there, that inevitable location
more waiting, the rats there scurry, scurry, a furry

till the next train comes

“up the dosage.”

Brown a first-cut brisket in hot Dutch oven
after dusting with paprika. Remove. Sauté
thickly sliced onions and add wine. (Sweet
is better, lasts forever, never need a new bottle).
Put the meat on onions, cover with tomato-sauce-
onion-soup-mix mixture, cover. Back in a low
oven many hours.

The house smells like meat.
My hair smells like meat.

I’m a light unto the nation.

I’m trying
to get out of Egypt.
This year,
I’ll be better.

Joseph makes sense of the big man’s dreams, is saved,
saves his brothers those jealous boys who sold him
sold them all as slaves. Seven years of plenty. Seven
years of famine. He insomnias the nights counting up
grains, storing, planning, for what? They say throw
the small boys in the river (and mothers do so). Smite
the sons (and fathers do it.) God says take off your shoes,
this holy ground this pitiful, incombustible bush.

Is God chemical?
Enzymatic of our great need to chaos?

We’re unforgivable.
People of the salted
cheeks. Slap, turn, slap.

To be chosen
is to be
unforgiving/ unforgiv-
en, always chosen:
be better.

The Zuckers are a long line of obsessives.

This served them well in war time saw it
coming in time that unseeable thing they
hoarded they ferried, schemed, paced, got the hell
out figured out at night, insomnia, how to visa—

now, if it happens again, I won’t be
ready

I’m “better.”

The husband, a country club Jew from Denver, American
intelligentsia will have to carry me out and he’s no big
man and I’m not a small girl how fast

can the doctor switch the refugee gene back on?

How fast can I get worse? Smart again and worse?

Better to be alive than better.

             “…listen:” says the doctor, “sleeping isn’t death.
             All children unlearn this fear you got confused
             thought thinking was the same as spinning—”            
             Writes: “up the dosage.”
             don’t think. this refugee thing part
             of a syndrome fear of medication of being better…

Truth is, the anti-obsessional medicine works
wonders and drags me through life’s course…

About this time of year but years ago the priests spread
rumors of blood libel. Jews huddled in basements accused
of using Christian babes’ blood to make unleavened bread.

signs and wonders.
Christ rises.

Blood and body and babes.
Basements and briskets
and bread of afflictions.

I am calm now with my pounds of meat
made and frozen, my party schedule, my pills
of liberation, my gentile dream-boy, American
passport, my grey haired-psychiatrist, my blue-
eyed son, my brown-eyed son, my poems on their
pretty little fleet-feet, my big shot friends, olive-skinned
husband, my right elbow on fire: fire inside deep in the nerve
from too much carrying and word-mongering, smithery, bearing
and tensing choosing to be better to live this real life this better orbit this Jack

Kerouac never loved you like you wanted.
Blake.
Buddha.
Only Jesus and that’s his shtick,
he loves

everyone: smile! that’s it,
for the camera, blood pressure
normal, better, you’re a poster child
for signs and wonders what a little chemistry
does for the brain, blood, thought, hey,

did you know that Pharaoh actually wanted
to let them go? those multitude Jews
but God hardened Pharaoh’s heart against them [Jews]
to prove his prowess show his signs, wonders, outstretched
hand, until the dosage was a perfect ten and then
some, sea closing up around those little chariots
the men and horses while women on the far shore shook
their tambourines. And then what? Forty years to get the smell
of slavery off them.

Because of this. Bloody Nile. My story one of
the lucky. Escape hatch even from my own
obsess—

             I am here because of this.
Because of what my ancestors did for me to tell this
story of the outstretched hand what it did for me this
marked door and behind this red-marked door, around
a corner a blue-eyed boy waits to love me up with his
leavened bread, his slim body, professional detachment,
medical advancements, forgive me my father’s mother’s
father was the last in a long line of Rabbis—again! with this? This
rhapsody of affliction and escape, the mind bobbing along
in its watery safe. Be like everyone. Else. Indistinguishable but
better than the other nations but that’s what got us into this, Allen,
no one writes these long-ass poems anymore. Now we’re
better, all better. All Christian. Kind.

  — Rachel Zucker (b. 1971), American Poet, from Columbia Poetry Review #18, 2005.

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