Look: I am building absence out of this room’s air, I’m reading suppositions into summer’s script snarled on a varnished floor. It looks like a man. That knot’s his hand waving good-bye, that stippled stripe of grain’s the stacked-up vertebrae of his turned back. Small birds (sparrows or finches, or perhaps) are [...]]]>

DRAWING FROM LIFE

Look: I am building absence
out of this room’s air, I’m reading suppositions into
summer’s script snarled on a varnished floor.
It looks like a man. That knot’s his hand
waving good-bye, that stippled stripe of grain’s
the stacked-up vertebrae of his turned back.
Small birds (sparrows or finches, or perhaps)
are cluttering the trees with blackened ornaments (burning
in the remnant light of August eight o’clock), and noises
I can’t hear. Chirring there, chittering. The window’s closed.

I am assembling a lack of sound
in this locked box, and dotting all the i’s
these floating motes present (my composition), I am not lonely
for the palpable world (midges I dap hands for
and kill), shivering into darkness underwater outside glass:
what’s left of light sinking from zero down to less,
cobalt down to zaffer, deeper to purple-black
where divers drown. The swimming landscape’s
all mistake (one world that shuts air into
my submerged terrarium), and I am luck.

  — Reginald Shepherd (b. 1963)

Dusk and snow this hour in argument have settled nothing. Light persists, and darkness. If a star shines now, that shine is swallowed and given back doubled, grounded bright. The timid angels flailed by passing children lift in a whitening wind toward night. What plays beyond the window plays as water might, all parts [...]]]>

JANUARY

Dusk and snow this hour
in argument have settled
nothing. Light persists,
and darkness. If a star
shines now, that shine is
swallowed and given back
doubled, grounded bright.
The timid angels flailed
by passing children lift
in a whitening wind
toward night. What plays
beyond the window plays
as water might, all parts
making cold digress.
Beneath iced bush and eave,
the small banked fires of birds
at rest lend absences
to seeming absence. Truth
is, nothing at all is missing.
Wind hisses and one shadow
sways where a window’s lampglow
has added something. The rest
is dark and light together tolled
against the boundary-riven
houses. Against our lives,
the stunning wholeness of the world.

  — From Intervale by Betty Adcock. Copyright © 2001 by Betty Adcock. Reproduced without permission.